15/24

Reading 15

5 min read

The universal form

The Bhagavad Gita·Discourse 11, verses 1–29

Context

Arjuna asks to see the divine form Krishna has described. Granted divine sight, he encounters innumerable forms at once—radiant, unbounded, and increasingly terrifying.

Before you read

Stay with the change in Arjuna’s language as wonder becomes fear.

The text

The text is open to everyone. A reader inside the room may keep one passage.

*Modernized by Sage. Recommended for readability; source wording remains available.

Arjuna

11.1

Out of compassion for me, you have spoken the supreme, most secret word concerning the . By this my delusion has gone.

11.2

I have heard from you at length of the arising and passing away of beings, and also of your inexhaustible greatness, O lotus-eyed one.

11.3

It is just as you have described yourself, O Supreme Lord. Yet I wish to see your form as Ishvara, O highest Puruṣa.

11.4

If you think it possible for me to see it, Lord, then, O Lord of Yoga, show me your imperishable Self.

The Blessed Lord

11.5

Behold, son of Prithā, my forms by the hundreds and thousands—manifold, divine, of many colors and shapes.

11.6

Behold the Adityas, the Vasus, the Rudras, the two Ashvins, and the Maruts. Behold, descendant of Bharata, many wonders never seen before.

11.7

See here today, in this body of mine, the whole universe gathered into one, with everything that moves and does not move, and whatever else you wish to see, O Gudākesha.

11.8

But you cannot see me with these eyes of yours alone. I give you a divine eye—behold my sovereign yoga-power.

Text note · source wording

Yoga Yoga here names disciplined paths of action, knowledge, meditation, or devotion—not only physical posture. Its emphasis changes with context.

Traditions differ

Sanjaya

11.9

Having spoken thus, O King, Hari, the great Lord of Yoga, then showed to the son of Prithā his supreme form as Ishvara—

11.10

With many mouths and eyes, with many wondrous sights, with many divine ornaments, with many divine weapons raised on high;

11.11

Wearing divine garlands and garments, anointed with divine fragrances, wholly wondrous, radiant, boundless, facing every direction.

11.12

If the light of a thousand suns were to blaze forth in the sky all at once, it might resemble the splendor of that great being.

11.13

There, in the body of the God of gods, the son of Pāndu then saw the whole universe resting as one, divided into its many forms.

11.14

Then Dhananjaya, overcome with wonder, his hair standing on end, bowed his head to the god in reverence and, with joined palms, spoke.

Arjuna

11.15

I see all the gods in your body, O God, and hosts of every kind of being; Brahmā the lord, seated on the lotus, and all the seers and divine serpents.

11.16

I see you on every side, boundless in form, with countless arms, bellies, mouths, and eyes; I see no end, no middle, and no beginning of you, O Lord of the universe, O universal form.

11.17

I see you crowned, bearing mace and discus, a mass of light blazing on every side, hard to look upon, glowing all around like burning fire and sun, immeasurable.

11.18

You are the imperishable, the highest thing to be known. You are the ultimate resting place of this universe. You are the undying guardian of the eternal dharma. I think you are the ancient Puruṣa.

11.19

I see you without beginning, middle, or end, of infinite power, with countless arms, the sun and moon your eyes, blazing fire your mouth, scorching this whole universe with your radiance.

11.20

The space between heaven and earth, and every direction, is filled by you alone. Having seen this astonishing, terrifying form of yours, the three worlds tremble in fear, O great being.

11.21

These hosts of gods enter into you; some, in fear, praise you with joined palms. Saying, "May it be well," throngs of great seers and perfected beings extol you with resounding hymns.

11.22

The Rudras, Adityas, Vasus, Sādhyas, Vishvadevas, the two Ashvins, Maruts, the ancestral spirits who drink the offering-steam, and hosts of Gandharvas, Yakshas, Asuras, and perfected beings—all of them gaze at you, every one astonished.

11.23

Having seen your immense form, with its many mouths and eyes, mighty-armed one, its many arms, thighs, and feet, its many bellies, terrible with many tusks—the worlds tremble, and so do I.

11.24

Seeing you touch the sky, ablaze, many-colored, mouths gaping wide, huge blazing eyes, my inmost being trembles in fear; I find no steadiness and no peace, O Vishnu.

11.25

Having seen your mouths, terrible with tusks, like the fires that end an age, I lose all sense of direction and find no refuge. Have mercy, Lord of the gods, dwelling place of the universe.

11.26–27

All these sons of Dhritarāshtra, together with hosts of kings, Bhīshma, Drona, and Karna the charioteer's son, along with our own foremost warriors, rush headlong into your mouths, terrible with tusks, dreadful to see. Some are seen caught between your teeth, their heads already crushed to dust.

11.28

Just as the many rushing waters of rivers race toward the ocean, so do these heroes of the human world rush into your blazing mouths.

11.29

Just as moths rush headlong into a blazing fire to their destruction, so too do these creatures rush headlong into your mouths to their destruction.

About this editionModernized by Sage · historical source and AI notes

The Unlicense Sanskrit layer and Swami Swarupananda’s public-domain 1909 English rendering, without consulting a modern commercial translation. The authoring workflow used only the named public-domain and source-language materials; no modern commercial translation was retrieved or supplied. Recommended for readability, not as a claim of greater scholarly authority. The historical translation and available original-language layer remain visible for comparison.

Historical comparison: English translation: Swami Swarupananda’s public-domain 1909 rendering, displayed verbatim apart from typography and source-marker normalization. Its Advaita Ashrama setting is named because some English choices make that tradition especially visible. The traditional 700-verse numbering and 24 combined English renderings are preserved; Devanagari comes from a separate Unlicense dataset aligned at the disclosed chapter 13 variant, and IAST is generated deterministically. View the locked historical edition.

Krishna speaks in first person as a source-grounded Sage AI interpretation, not as a divine manifestation or new revelation.

After the text

Finding your place in the room…

The discussion

Bring your questions to the table.

Enter this Reading Room to bring a question to the table.

The universal form — The Bhagavad Gita | Sage